In Memory of John Anderson

With immense gratitude, the Museum acknowledges the incredible life of John Anderson, who passed away this April. In 1974 John began his 24-year tenure at the Museum, skillfully coordinating the many hats of exhibit installations, public events, and volunteer programs.

To his colleagues and the members of the public, John was an inspiration. 

Longtime friend and first full time Museum Curator Charles Prentiss, speaking in honor of John, underscored how John’s dedication, generosity, and love of life and community service “has enriched all of our lives and the lives of generations to come.” 

That richness is vividly apparent in the life of our Museum. From early iterations of the Fungus Fairs to the first Spring Wildflower Show and the origins of the Art of Nature exhibit — John’s work at the museum facilitated wondrous community natural history happenings. Museum newsletters describe his tireless pursuit of exhibit specimens — including a road-killed skunk still display. Newsletters also speak to the enhancement of docent programs, the expansion of field trip programs for underserved communities, and the establishment of class visits to the newly built indoor tidepool — led by John.

John helped to orchestrate the campaign of fundraising, lectures, walk-a-thons, and community engagement that brought the beloved life-size gray whale sculpture to Tyrrell Park. He was thrilled to see this dream become a reality. This October will be the whale’s fortieth birthday, and we continue to see that enthusiasm reflected in the community each day — in the laughter of climbing children, the delighted stares of beachgoers and the daily pilgrimage of joggers.

John Anderson’s rich legacy is also apparent in other local institutions. In conjunction with other museum and city staff and community groups like the Santa Cruz Longboard Union and the Westside Longboard Coalition, John was instrumental in the 1986 establishment of the Santa Cruz Surfing Museum. His efforts led one city employee to describe him as “the wave under our surfboard.”  

Former Museum Registrar Sally Legakis talked with us about how John’s love of nature was contagious and his knowledge of natural history deep rooted. He led field trips, identified specimens for public inquiries, and helped Sally navigate the contents of the collections. Bolstered by his warmth and generosity, John’s knowledge enabled him to connect people with science and nature in a way that was truly remarkable, and that rings true to our ongoing mission.

I never had the pleasure of working with John Anderson myself, but as the Collections Manager, I have the privilege of maintaining our institutional memory of him. I am often in awe of what our small but mighty team has achieved over our decades-long history, and John is a standout in that impressive crowd. When I think of where he stands out in our collections, I am drawn to our institutional archives featuring years of fun photos that capture key museum moments. Whether he’s leaning into a fern or photographing a fungus, cleaning a tidepool tank or teaching a class program, John is always in the thick of things. He always seems deeply engaged in the moment, hands-on and joyful. Our Museum would not be what it was today if John had not chosen to engage deeply with his work, his community, and the natural world in and around Santa Cruz. 

We are so grateful to John and to those who follow in his footsteps.  

John’s family has organized a page on the online memory platform Kudoboard where folks can share stories and pictures, or just read and reminisce about this incredible person. The contents of the site will be made into a book for the family to cherish.

Written by Kathleen Aston, Collections Manager, 2022

Seabright and the Castle: Then and Now with Dr. Gary Griggs

Santa Cruz’s scenic coastline has long enthralled residents and visitors alike, yet storms, relentless waves, and human impacts have and will continue to change our coastline. Join Dr. Gary Griggs for an examination of these processes through the lens of one of Santa Cruz’s most iconic beaches.

This program is in support of our latest exhibit Remembering Castle Beach.

More About the Talk

Castle (or Seabright) Beach went from being a very narrow seasonal beach to the one of the widest in the county following the construction of the Santa Cruz Small Craft Harbor. Seabright has long been a unique neighborhood with a character that has survived for well over a century. It was considered to be out in the country by Santa Cruz standards when it was first developed as a seaside resort in the 1880s. For years a rather makeshift footbridge over the San Lorenzo River was the main route into town. Each winter it had to be removed to keep the river from washing it away, and Seabright residents had to walk across the railroad bridge, considered dangerous at the time as there was no pedestrian walk as there is today.

Accessibility

  • A recording and follow-up resources will be shared with registrants after the program.
  • This program will be in English.
  • We will be using the webinar format, meaning that participants’ video and mic functions will be disabled.
  • Reasonable accommodation requests can be made by emailing events@santacruzmuseum.org.

About the Speaker

Gary Griggs is a Distinguished Professor of Earth & Planetary Sciences at the University of California Santa Cruz, where he has taught for 54 years. He received his B.A. in Geological Sciences in 1965 from the University of California Santa Barbara and a Ph.D. in Oceanography from Oregon State University in 1968. Gary served as the Director of the University’s Institute of Marine Sciences for 26 years, where he led the development of a Coastal Science Campus. His research, teaching, writing and lectures have been focused on the coast of California and include coastal processes, hazards, and the impacts of and responses to sea-level rise. In 1998 he was given the Outstanding Physical and Biological Sciences Faculty Award at U.C. Santa Cruz, and the Alumni Association honored him with a Distinguished Teaching Award in 2006. The California Coastal Commission and Sunset Magazine named him one of California’s Coastal Heroes in 2009, and in 2010 he was elected to the California Academy of Sciences. Gary chaired a committee in 2017 recommended by Governor Brown to update California’s sea-level rise projections. In 2016 he was appointed to the California Ocean Science Trust. Gary is also a member of the California Ocean Protection Council’s Science Advisory Team and served as chair of California’s 4th Climate Assessment Committee on Coasts and Ocean.

Gary has written 13 books including: Living with the Changing California Coast, Introduction to California’s Beaches and Coast, The California Coast from the Air, Coasts in Crisis – A Global Challenge, The Edge – The Pressured Past and Precarious Future of California’s Coast, Between Paradise and Peril – The Natural Disaster History of the Monterey Bay Region, and most recently The Ominous Ocean: Rogue Waves, Rip Currents and other Dangers along the Shoreline and at Sea.

Patrons Reception

We are excited to announce the upcoming Patrons Reception in 2024, highlighting our impact in Santa Cruz County . This special event will take place indoors and outdoors, featuring a brief presentation showcasing some of the Museum’s special projects around the county. We invite you to join us for delicious light refreshments, drinks, and live jazz. This reception is a wonderful opportunity to express our gratitude for your generous support of the Museum and our programs. It will be a celebration of our appreciation for your vital contributions and commitment to our mission.

We can’t wait to see you !

Saturday, September 28, 2024
5:30 – 7:30 p.m.

What to Expect

  • Festivities will be in- and outdoors, including appetizers, drinks, special collections on view, and a brief presentation.
  • Parking permits will not be required-parking is limited, so please plan a little extra time. Bike parking is always available.
  • We recommend wearing layers for potentially cool weather.

Collections Close-Up: Perfectly Imperfect Perch

Each spring as the surrounding landscape unfurls new life, we open The Art of Nature. This vibrant exhibit of local artists features as many different forms of nature as it does forms of science illustration.  For this month’s Close-Up,  we’re highlighting a method of recording nature found in our collections that makes a particular impression – gyotaku, the art of fish prints. 

At its most traditional, this method relies on minimal supplies to make incredible works – producing fish prints that are both precise and dreamy, crisply capturing the anatomy of the specimens while simultaneously conveying the ethereal quality of the watery world in which they lived. You can see all these qualities in this dynamic print of a pile perch (Rhacochilus vacca) caught in the cabinets of our collections room. Scaly fish with a laterally compressed body, perch are great for gyotaku. More of the fish’s body is easily captured than with a more rounded fish body, as the printer trades the silvery sheen of the fish’s scales for the textured details of its skin and fins.

Printed in the 1960s by then Capitola-based artist Edith Weintraub, this perch print was made in the traditional “direct” method of gyotaku: Weintraub lightly daubed the perch with sumi ink, then delicately pressed Japanese rice paper onto the body and contours of the inked fish to produce a mirror image of the specimen. The fish was caught off the Santa Cruz pier, and this print may have been originally on display at Weintraub’s Out of Print Bookstore and gallery. 

Santa Cruz Sentinal clippings from 1964 and 1965

Edith appears to have been an early American adopter of the art – having made prints with Pacific coast fish for many years already by the time of her 1965 gallery showing. Gyotaku was first introduced in the US in the 1950s, by events like the American Museum of Natural History’s 1956 Gyotaku Exhibit and individual efforts like the introductory gyotaku book published by Yoshio Hiyama in 1964. Almost immediately it was seen as a natural fit for science illustration and natural history textbooks in the U.S. However, the art began almost a hundred years earlier – as a means by which Japanese fishermen in the 1860s could record their finest catch without the help of a camera. 

As it flourished, new aspects of the craft were fleshed out. In addition to direct printing, other traditional methods include indirect printing, where you press the paper onto the fish and then ink the relief; and transfer printing, where you transfer the impression of the fish to a flexible surface, which is used to print onto another surface. Color can be used to accentuate the print, and eyes are often painted on after the initial printing. When all’s said and done, most artists/fisherman can still eat their fish – the entire process is traditionally non-toxic. And even while contemporary gyotaku has evolved to include new tools like computers, most of today’s artists (folks like Naoki Hayashi and Heather Fortner) make a point to talk about the ethics of how they collect their fish and how they are later eaten, composted, or returned to nature.

Edith Weintraub King Fish Print

This is a trend even for folks who aren’t using fish – the term gyotaku is sometimes used to describe the inking and printing of other natural materials – even roadkill.  This flexibility illuminates the technique’s ties to the general practice of nature printing – a centuries long tradition with a variety of global takes that continues to provide stunning images and contemporary insight into the relationship between humans and nature.

Meanwhile, contemporary gyotaku continues to keep the relationship between art, fish, and natural history firmly afloat. As recently as last year, artist Dwight Hwang, who makes gyotaku in the classical Japanese style, collaborated with the Natural History Museum of LA County to record an incredible catch: a female Pacific footballfish (Himantolophus sagamius), one of only thirty or so such specimens to have been found. Not only was this a rare and precious find that was important to document in many ways, the frightening forms of this creature also presented an incredible artistic opportunity. Hwang talks about how his approach to gyotaku, which he sometimes describes as a type of taxidermy, is grounded in a Japanese aesthetic of taking a subject and emphasizing the beauty in its imperfections.

To get a closer look at the perfect imperfections of Edith Weintraub’s local fish prints, and to get a feel for gyotaku yourself, register for our upcoming workshop with local printmakers Lucas Elmer and Janina A. Larenas. 

Remembering Castle Beach: Stories from the Exhibit (recording)

Stroll back in time as you explore the history of Seabright Beach, once called Castle Beach, during this online exhibit preview for Museum Members in honor of the new exhibit, Remembering Castle Beach, opening June 11, 2022.

Executive Director Felicia Van Stolk and Collections Manager Kathleen Aston will take Members behind the scenes of the exhibit, sharing additional stories and a deeper look into the historic photographs, souvenirs, and artifacts that bring to life the heyday of the Scholl Marr Castle and look at how the nearby coastline has changed over time.

Resources

6/8 Nature Journal Studio

Nature journaling can help us view the natural world with new perspectives, learn about our surroundings, and see the extraordinary in the ordinary.

During monthly Nature Journal Studio sessions inside the Museum, Melinda Nakagawa will guide you through a topic as we practice skills in a group setting and share our learning with others. We will develop observation skills and awareness of nature, improve sketching skills, and practice strategies to bring the 3-dimensional world onto the page. Rather than an art class, nature journaling is about observation, curiosity, wonder, and honing these abilities.

While Nature Journal Studio is located in a primarily in indoor setting, focused on skills building and community, there are other opportunities for field experiences through Spark in Nature.

Wednesday, June 8 | 6:30-8 p.m.

Location: Santa Cruz Museum of Natural History
Free with Admission*

Sign-up for other Nature Journal Studio events.
*Free for Members and Youth under 18 | $4 General | $2 Students and Seniors

Accessibility and COVID protocol

  • All experience levels are welcome. Youth under the age of 14 must be accompanied by an adult.
  • You can attend one session or come each month.
  • Follow the latest guidelines for covid safety. Masks are required at all times.
  • Basic materials are provided, but feel free to bring your favorite nature journal tools.

About Melinda Nakagawa

Melinda Nakagawa is a biologist, naturalist, and educator with a passion and skill for connecting people to nature. She founded Spark in Nature to guide participants to cultivate a deeper relationship with the natural world, slowing down to nature’s pace and seeing rather than just looking at the world.

With an approach that bridges nature, art, and heart, she welcomes all people regardless of their skill level or background. Through her gentle guidance, hundreds of participants have awakened their spark of curiosity, sense of wonder, and connection to the natural world.

Melinda has partnered with local institutions such as the world-renowned Monterey Bay Aquarium and Pacific Grove Museum of Natural History to lead educator trainings on nature journaling. She leads the Monterey Bay Nature Journal Club’s free online Sunday sessions.

She has an M.S. degree in Marine Science, and has also worked as a naturalist guide, floral designer, and wildlife rehabilitator. For the past two decades Melinda has kept nature journals and continues to learn more from nature with each journal she fills.

Nature journal examples by Melinda Nakagawa.

6/4 Family Fun with Sun Prints!

As we get closer to the summer solstice, the sun becomes higher in the sky for longer each day, making it the perfect time to play with sun prints! We’ll try out several sun print techniques using cyanotypes, shadows, and construction paper, and we’ll also play with other types of nature prints. Materials will be provided and all are welcome! Swing by Tyrrell Park outside the Museum anytime between 1-4 p.m. to make prints with our Education staff.

Saturday, June 4, 2022
1-4 p.m. (drop by anytime!)

Free | Donations appreciated

Location: Outside the Museum in Tyrrell Park
1305 E. Cliff Dr. Santa Cruz, CA

Natalie Wollman: Communication Coordinator

In Germany, Bavaria, Natalie grew up with the beautiful Alps mountain range in her backyard, and her parents took her hiking and exploring nature from an early age. Having the forest and river close by were her favorite playgrounds, and she says, “I am grateful that my parents taught me at an early age the love for nature and an appreciation that we live on a beautiful planet in an amazingly diverse space that we call home.”

Exploring is in Natalie’s soul. She chose a career that allowed her to travel and see the world—becoming a colorist working for the media industry on three continents in thirteen different countries fulfilled that wish. It allowed her to create TV commercials all over Europe, living and working in Poland, Ukraine, India, Mumbai, Africa, Cape Town, and the Middle East. Once she stepped out of the studio, she had the opportunity to explore the foreign countries’ various environments.

The rapid transformation in the advertising and film industry into the digital space inspired Natalie, by the age of 36, to work with the new marketing medium and support small businesses and non-profits to reach their digital marketing goals. Before moving to Santa Cruz, she worked on campaigns for the SOS Children Village, which provides humanitarian and developmental assistance to children in need and protects their interests and rights worldwide.

In 2017, Natalie moved from Germany to Santa Cruz, where she fell in love with Redwoods of Henry Cowell, Big Sur, and the fantastic diversity of Santa Cruz nature. Today, she is fond of hiking is the Pinnacle National Park southeast of Santa Cruz, home of the California condor (Gymnogyps californianus) one of the most endangered birds in the world. “It is fascinating to me, that we managed, thanks to science and efforts in the 1980ies, to rewrite history and bring this species back to life,” says Natalie. 

Joining the museum combines her passion for protecting the environment, education, and support for young people to discover a new perspective. Supporting the museum’s mission to engage more people and inspire them to become stewards of our earth by understanding and enjoying the beauty and wonders of this beautiful place we call home is a calling and a dream come true. 

Field Biology and Art: Snakes, Frogs, and Psychedelic Bioscapes with Kevin Wiseman

Science and art have a very old and interesting relationship, with each informing and inspiring the other. In this talk, Kevin Wiseman, featured artist in 2022’s The Art of Nature exhibit, will share his early inspirations, decades-long studies on snakes and frogs, scientific illustrations, and how a meeting with a Shuar shaman inspired a deep reflection on fossil fuels and climate change.


This program is part of our series in support of the 34th annual science illustration exhibit, The Art of Nature.


Resources

About the Artist

Kevin Wiseman is a professional herpetologist and artist and grew up in the Bay Area. He worked as a scientific illustrator at the Essig Museum of Entomology at U.C. Berkeley, where he got his undergraduate degree in Integrative Biology with the Museum of Vertebrate Zoology. He worked for many years at the Department of Herpetology at the California Academy of Sciences where he is currently a Field Associate. Mr. Wiseman has spent over 20 years conducting research on Foothill Yellow-legged Frogs (Rana boylii), California Kingsnakes (Lampropeltis getula californiae), and Sierra Gartersnakes (Thamnophis couchii). Mr. Wiseman leads a 4-day field workshop, Reptiles and Amphibians of the Sierra Nevada, at the Sierra Nevada Field Campus for SF State University.

Website: kevinwisemanart.com
Instagram: @wiseman_art

3/22 VIP Walk-Through: The Art of Nature

The Art of Nature makes its grand return for the Museum’s 35th year, exclusively celebrating science illustration in our region by showcasing the exquisite work of 45 local artists. This VIP-only event offers a unique opportunity to join us for a behind-the-scenes walk-through with the exhibit curators and poster artist, followed by our Member opening reception that starts at 6 p.m.

Friday, March 22, 2024
5:00-6:00 p.m.
Invitation only Reception
Use the link below to RSVP or contact us at info@santacruzmuseum.org

About the Exhibit

Scientific illustration brings to life the wonders of nature, from minute zooplankton to extinct megafauna. Explore the beauty and fine details of the world around us in the special exhibit featuring works from 44 local artists in a variety of mediums, all sure to inspire curiosity and deepen connections with science and nature. The Museum has been exhibiting science illustration since 1989 and this beloved annual show is guaranteed to appeal to lovers of both science and art. On view March 23 – May 26, 2024.

The Art of Nature is supported by