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A Collection of Resources

4 blackbird eggs

We’ve compiled some of our favorite online resources for digging-deeper into natural history. From virtual tours of other natural history collections to digital field guides that can supplement your outdoor adventures, explore what our community (both local and global) has to offer!

Digital Field Guides

  • Animal Tracks: Nature Tracking compiles animal tracking resources in order to “make learning to identify animal tracks as easy and fun as possible.” We also have our own animal tracking activity, here.
  • Feathers: The Feather Atlas is an image database dedicated to the identification and study of the flight feathers of North American birds.
  • Amphibians: Get to know our slithery and slimy friends through AmphibiaWeb, an online field guide and database of amphibians.
  • Birds: Identify your backyard birds, keep track of what you observe, and get to know the many birds that you encounter any given day through the definitive resource for birds and bird watching in North America — the Cornell Lab of Ornithology and their Merlin Bird ID app.
  • Marine Animals: The Marine Species Identification Portal offers information on thousands of different species in the world’s oceans and seas.

Digital Databases, Virtual Tours, and More

  • Biodiversity Heritage Library: An open access digital library for biodiversity literature and archives. BHL’s global consortium of natural history, botanical, and research libraries cooperate to digitize and make their collections accessible as a part of a global “biodiversity commons.”
  • Cloud Appreciation Society: Get a little poetic about nature and explore the Cloud Appreciation Society who urge you to “Look up, marvel at the ephemeral beauty, and always remember to live life with your head in the clouds!”
  • National Parks: Maybe your vacation was postponed, but you can still explore our National Parks through these virtual tours.
  • Duke University: A database of 3D images of specimens for “Educators Organizing Online Courses Using Biological Specimens.”
  • The American Museum of Natural History: AMNH hosts a long list of activities, articles, videos and more, for educators, families, students, and anyone interested in teaching or learning about science.
  • Brains On: An award-winning science podcast for kids and curious adults from American Public Media.
  • NASA: A vast collection of images, videos, and articles all about space.
  • Smithsonian Museum of Natural History: Virtual tours of the museum and its collections.

Local Resources

Post by: Marisa

Animal Tracking

Spotting wildlife can be tricky! You can still learn about the animals around us by looking for clues.

Animal footprints across several different classes

Print out the Santa Cruz Animal Tracking Checklist or have it downloaded on your phone to reference out in the field. Bring along tools such as a camera or ruler to assist in recording and identifying tracks. Look around your own neighborhood or walk along a local trail. Great places to look include patches of dirt, mud, or sand that animals could have left their tracks in. 

On your Adventure 

Pay close attention to the trail and sides of the trail! Be careful to avoid touching plants you don’t know, some of them can harm you such as poison oak. Animals often use the same trails as us, so there is no need to stray far from a trail to find animal tracks. 

There are more signs of animals you can look for beyond tracks! Other evidence that animals leave behind are scat, feathers, fur, and nests. You can record these findings in the trail notes or at the bottom of the checklist. 

Dog tracks in sand
Dog tracks in sand

Cats vs. Dogs

How to tell the difference between cats and dogs: Cats have retractable claws that don’t show up on their track whereas dogs’ claws are always out and often show up on their tracks. See images below for reference.

Questions to consider on your tracking adventure

  • Look around! What animals do you think live in this habitat? 
  • Can you tell which direction the animal was going? If so, try following the tracks to see where they lead.
  • Do you think the animal was walking or running? Why?
  • What time of day do you think the animal made these tracks? 
  • What do you notice about the scat? Do you think this animal is a predator or a prey? A carnivore, herbivore, or omnivore?

Need help? Use these tools to learn more from your observations:

Post by: Elise

Collections Close-Up: Fur Seal Fossil Focus

The Central Coast is packed with pinnipeds for all seasons. From regular sightings of harbor seals and seal lions, to special occasions like elephant seal breeding season, which wraps up at the end of this month. An even more special sight would be northern fur seals, who spend more than 300 days a year out at sea. An even rarer sight would be their extinct ancestors, if it weren’t for your neighborhood natural history museum’s fossil display!

Out from its permanent home in our local paleontology exhibit for a closer look this month, this fragmentary fossil is a partial cranium and frontal skull region of the ancient pinniped Thalassaleon macnallyae. Compare this specimen to modern pinnipeds, including their descendant the northern fur seal.  Thalassaleon means sea lion in Greek, and is the name of an extinct genus of the family.  Thalassaleon means sea lion in Greek, and is the name of an extinct genus of the family Otariidae. Otariidae, including fur seals and sea lions, are a group of carnivorous semi-aquatic marine mammals with flippers and visible external ears. Together with Phocidae, the earless or true seals like harbor seals, and Odobenidae, whose only living member is the walrus, and the extinct Desmatophocidae family, these families make up the clade of pinnipeds. 

partial cranium and frontal skull region of the ancient pinniped Thalassaleon macnallyae, with the braincase in the back

This fossilized cranium, which belonged to an immature individual, was collected but not identified from near Soquel Point by teenager Gerald Macy in the late 1930s or early ‘40s. Many fossil hunters have cut their teeth collecting along the Opal Cliffs, and Macy was no exception. In 1939 the local paper described the then 17-year old as “the local authority on paleontology, a position attained by more than five years painstaking search of the rich stratas [of the cliffs]”.

While the cliffs of Capitola have exposed countless fossils for science, they are special for this species: Thalassaleon macnallyae has only been found in exposures of the Purisima formation in Central and Northern California. The first of its kind to be formally described was uncovered in Point Reyes by paleontologist Kathleen MacNally Martin in 1965. As a whole, this species has a geochronologic range of 6.9-5.33 Ma.

As the ancestor of the modern northern fur seal, this specimen represents millions years of life in Santa Cruz. Today its descendants spend most of their time on the open ocean where they feed on a variety of fish and squid. They come ashore to reproduce and molt on rocky or sandy beaches of islands in the eastern North Pacific and Bering Sea, including California’s San Miguel Island and South Farallon Island. In the 19th and early 20th centuries, they were hunted for their luxurious pelts: their insulating fur boasts 46,500 fibers per square centimeter. Although they are now protected, they face threats from debris entanglement, fisher interactions, and climate change throughout their range. 

Newspaper clipping regarding Gerald Macy, 17-year-old palentologist

Our ancient fur seal specimen’s story doesn’t stop with its own descendants – it also has a role in putting together the puzzle pieces of pinniped evolution. Its measurements, along with those of a variety of other pinniped fossils, were used by paleontologists Robert Boessenecker and Morgan Churchill in 2015 to identify an older species of fur seal – Eotaria crypta, the oldest discovered otariid specimen. 


Boessenecker was looking through pinniped fossils at the Cooper Center in Orange County in 2012 when he spotted a small fur seal jaw whose identification seemed at odds with the age of the rock formation in which it was found. He suspected that the specimen might represent a missing link between otariids and the ancient ancestor of pinnipeds from which they diverged.

To confirm, the paleontologists analyzed more than 115 morphological features from specimens representing more than 23 taxonomic groups, including the star of this month’s Close Up. By preserving fossils like the remains of Thalassaleon macnallyae as well as others, our collections can further our understanding of the history of life on earth. 

We couldn’t do that without the paleontologists who put in the work to study our collections, and we were thrilled to talk to California native Robert Boessenecker about what that process looks like. 

He says that the decision to study a fossil begins with how interesting it is – whether it helps tell a story,  fill a hole in current knowledge or has unusual features or strange preservation. From there it takes a combination of fieldwork, fossil preparation, museum visits, and data collection to understand a fossil’s significance.  

Boessenecker, who teaches at the College of Charleston and blogs about his research, is no stranger to SCMNH. Bobby, as he is often referred to in our records, has been hunting for fossils in Santa Cruz since he himself was a teenager, and has gifted some of his finds to our museum. This kind of collection, he says, is perhaps unique to the field of paleontology – how easy it is for community scientists (e.g. amateur fossil collectors) to make serious contributions to science.  

Stop by this month to check out one such contribution – our fossil fur seal in focus.

Ellen Stone: Education Assistant

Ellen Stone began her journey with the Museum as an event and outreach volunteer, but she joined our staff this past September as one of our intrepid Education Assistants.

In her role here, she can often be found leading school field trips at the Museum or out in nature. Ellen recalls a touching moment with one child while teaching a Nature Rangers program at Pogonip: “A little girl was following me around asking questions and so I lead her to a small spring in the ground where water was bubbling up. She sat there in awe with her eyes on the spring after we talked about what it was, and later came up to me to thank me for showing her. Sweet moments like these make me feel grateful to be able to weave my passions and values into the work I do every day in order to help children grow their relationships with nature.”

Ellen spent her own childhood peering into creeks, hiking in the mountains, and visiting the Natural History Museum in her hometown of Santa Barbara. She made her way up to the land of the redwoods to attend UC Santa Cruz, obtaining her B.S. in Environmental Studies. Since graduating, she has focussed her time on being outdoors, helping children make connections with the natural world. 

Both at the Museum and at home, she also loves finding ways to combine her love of art and nature through a variety of mediums and is always excited to try something new – from natural dyes, to weaving baskets, to nature journaling. Her appreciation for the natural world grows with every plant she respectfully uses for a project or for every landscape that she documents through sketching. 

Please join us in welcoming Ellen to the team!

Collections February 2020: Frequent Flyers

If fungi had a poster child, who would it be? A classic red capped amanita? Or maybe an exuberantly golden chanterelle? Or maybe, just maybe, it would be one of the eclectic cast of characters that has periodically adorned Fungus Fair flyers from as far back as the 1970s!

Centered in a square frame, a grasshopper (or another member of the family orthoptera) leans an “elbow” onto a table piled high with vibrant fungal forms, reaching lazily towards this treasure trove. Nearby, what appears to be an excited alligator lizard is poised to pop a mushroom in it is mouth. It’s a homey scene, but unlikely beyond the goofy trope of animals at a table. While grasshoppers, who prefer leafy green meals, will turn to fungi for food, alligator lizards might likelier eat their fellow fair guest! 

1978 Fungus Fair flyer

Zooming out, these whimsical Fungus Fair attendees are in a series of rooms full of fungi. The specimens appear to be planted into the floor, recalling the elaborate dioramas of the fair, where a visitor might wonder how they walked through the doors of the Louden Nelson Center and found themselves in a forest. And while these elaborate displays have been an iconic part of the event, it hasn’t always been held at Louden.

In fact, the first festival was held in 1974 here at your favorite local natural history museum, then called the Santa Cruz City Museum. From the beginning, it featured more than 150 varieties of wild native mushrooms, displayed in those trademark habitat dioramas with detailed identifications. Originally a joint project of the Museum, mycologist David Arora, and enthusiastic community members who would become the Fungus Federation, the event quickly grew to thousands of guests. There were even years where the very rains that supported fungal growth would cancel the tables and activities that had to spill out into Tyrrell Park. 

Looking for more space, the fair moved around and eventually settled at Louden in the 1990s. In describing the choice of venue, longtime member and mushroom identification instructor Phil Carpenter pointed out the value of not only having more space, but of having a facility where the Federation could begin setting up displays many days ahead of time. This extra time is a critical requirement for specimen preservation and display, as Federation members are called upon to gather various specimens in the days leading up to each year’s fair. Dive into years of the Fungus Federation’s digitized newsletters for more on the nuts and bolts of everything from fair set up to making that ideal chanterelle pasta. 

This shared history is one of the reasons why our own archive has so many Fungus Fair treasures. Another reason is the treasure who was a longtime volunteer, Pat Smith. Building on last month’s close up, the people behind these posters weren’t always science illustrators – sometimes they were silkscreening powerhouses!

Pat and her husband Kirk Smith arrived in Santa Cruz in the mid 1970s after serving in the Peace Corps. Some of their adult children had established roots in the community, and they soon followed suit. One of the organizations they both cared a great deal about was our little museum. Pat gravitated towards active and tangible ways to support her causes – she would rather be printing t-shirts and flyers for the gift shop than serving on a board. And make them she did – for countless events ranging from public festivals to staff birthday parties. 

Her daughter and current board member Laura Smith remembers Pat’s constant outpouring of creative activity over the course of a lifetime – from making linocuts with one of her small daughters, to teaching underserved students sewing and photography after her own kids had grown up, to turning part of the couple’s Santa Cruz home into a silkscreen studio. If you stopped in at Pat and Kirk’s for a visit, and mentioned you liked frogs, Pat would jump at the chance to invite you into the darkroom to make yourself a frog t-shirt.

You can see one of the screens used to print our fun fungi dinner guests, as well as different iterations of posters, mailers, and even aprons featuring this design on display this month at the Museum. And you can find more fungi images and interactives as part of our final month of the visiting exhibition Mushrooms: Kings to the Kingdom Fungi.  

Alex Krohn: Community Partner

A naturalist is someone who studies the patterns of nature. They seek to deepen our understanding of the natural world by observing the interconnected relationships of living things and their environments. Or in other words: Alex Krohn.

“Santa Cruz has the highest density of naturalists per capita of anywhere I’ve been, and I know the Santa Cruz Museum of Natural History plays a large role in fostering, supporting, and helping grow that community. That’s something I absolutely support, and something I’m proud to be a part of,” said Alex — a Member, program provider, and collaborative partner of the Museum.

Alex has helped to facilitate a number of loans from the Kenneth S. Norris Center for Natural History to our Museum for events such as our annual Halloween bash, Museum of the Macabre, and exhibits such as the new Mushrooms: Keys to the Kingdom Fungi, January 11-March 1, 2020. He has also led programs for the Museum as a naturalist and frequents our events as a Museum Member. As if that weren’t enough, he is a big fan of our Gift Shop. “So far I’ve done almost all my holiday shopping in the Museum’s gift shop,” he said, which we just love.

Though it is a treat to witness Alex engage on any natural history subject, he is primarily a reptile and amphibian specialist with a PhD in Evolutionary and Conservation Genomics from UC Berkeley. He loves helping connect people with all aspects of nature, both from his post as Assistant Director of the Kenneth S. Norris Center for Natural History at UC Santa Cruz and across the natural lands of Santa Cruz County.

“Santa Cruz County is a truly amazing place,” he said. “We have fantastical species found nowhere else on Earth — from half-dollar sized beetles that only fly at night during the first rains…to multiple manzanita species only present on patches of geologic beach sand that was pushed to the top of a mountain. We have towering redwoods, and sandhill chaparral and coastal grasslands, each more inspiring depending on the day of the week.”

Alex says that his favorite part of his work at the Norris Center is stewarding the collection: “I’m in charge of helping care for, organizing and digitizing more than 130,000 specimens of mostly terrestrial (but some aquatic!) species — from bryophytes to birds.”

Providing access to these collections is paramount for Alex, as is fostering an interest in nature and museums for the students he serves at UC Santa Cruz, many of whom have interned in the Education and Collections Departments of our Museum.


We are grateful to have his support as a local naturalist, important community partner, and engaged Member and friend of the Museum. Explore the wonderful work the Norris Center does by paying them a visit or learning more on their website, and visit some of the mushroom specimens we have on loan from them through our Mushrooms exhibit, opening January 11.

Fun Forms: Nature Illustration in Fungus Fair Posters

Written by Kathleen Aston, January 2020

With the Central Coast awash in new growth, this time of year finds many a fungus hunter stalking the landscape to feast their eyes, expand their minds, or feed their stomachs. For the January and February Collections Close-Ups, we went hunting in the museum’s archives to highlight stories of fungus and the people who appreciate them.  

A beloved institution for many of us, the Fungus Federation is a community organization that promotes love for and study of fungi. They welcome folks of all skill levels, from amateurs just learning what to look for, to experts helping science look more closely at the mycoflora of Santa Cruz County. In addition to educational events, workshops, and classes, they support scientific research through scholarships and grants. A federation member might be just as likely to help you learn what a particular mushroom is, as they are to advise you on how to cook it. Of course, one doesn’t always follow the other – in the words of mushroom enthusiasts, who seem equally fond of fun sayings as they are of caution – there are old mushroom hunters and there are bold mushroom hunters but there are no old bold mushroom hunters.

And they don’t just put the fun in fungi, they put on the famous annual Fungus Fair! This year’s festivities will take place from January 10 to 12 at Louden Nelson Community Center. The festivities of yesteryear can also be found in our pop up display of previous fair posters. 

The Federation’s knack for bringing people together over fungi extends to the robust local community of science and nature illustrators. This selection of posters highlights diverse strategies and styles used to depict the natural world, from watercolor to block printing to photo collage. Oftentimes the artists have been graduates of UCSC’s former science illustration certificate program. We were lucky enough to catch up with two of them.

Advertisement for the Fungus Fair

Cynthia Armstrong’s illustration for the 2003 Fungus Fair poster is a striking combination of stark contrasts and intricate detail, highlighting a variety of fungus species ensconced within a delicate network of vines. She made it not long after completing her science illustration degree, committed to pursuing a career that dovetailed her first love, science, with her lifelong creative impulses. As an artist, Cynthia loves to show her processes – the unfolding of a subject in process recalls how the scientific exploration for answers often unfolds into new questions. As a science illustrator, she has enjoyed taking part in this process across the world, whether illustrating mammoth bones in Maine’s state museum or documenting plants for a field botanist in Panama.  

At home on the Central Coast, Cynthia loves that the redwoods are always full of opportunities to find fungus. The incredible diversity of fungus keeps her intrigued – their otherworldly and alien forms and structures are a joy to illustrate. She still regularly attends the Fungus Fair with her family, having first attended decades ago when fair founder David Arora was signing copies of his newly published classic, Mushrooms Demystified. You can catch Cynthia’s current work, including local classes, on her website.

Gay Kraeger’s work for the 2004 fair poster provides another perspective: four species of dreamily watercolored fungi chart a circle in time – guiding the viewer on what season one might be most likely to find them. Gay actually created this image years before she formally got into illustration. Her neighbors at the time, Fungus Federation members who were in the habit of hosting parties with delicious food, asked her to help illustrate a fungi cookbook they were putting together. Gay was happy to help – she’d always been in engaged with art, and natural history is her favorite subject. 

A diagram of fungi sorted by the seasons

Today her career continues to bring together these interests: on the one hand she teaches illustrated watercoloring journaling. Her own journaling entries are stunning. She loves to see people become more excited and aware of the world as they build the confidence to draw it. On the other hand, she and her business partner Holly Reed run an interpretive design firm called Wildways Illustrated. You can see their work all over the state, but locally they’ve contributed to signage and exhibits at places like Natural Bridges, Ano Nuevo, and the Boardwalk. She’s excited to be working on a welcome panel for Henry Cowell, where park staff made sure to request a turkey tail fungus (Trametes versicolor) as a primary feature. 


For the next two months, these posters and others from the history of the Fungus Fair will be displayed alongside a riveting traveling exhibit. We are excited to be hosting Mushrooms: Keys to the Kingdom Fungi, an exhibition developed by Jennifer Jewell and John Whittlesey.

Lisa Robinson: Museum Supporter

Lisa Robinson is a renaissance woman. As President of the board for the San Lorenzo Valley Historical Society, which owns and operates the San Lorenzo Valley Museum, she works on everything from website maintenance to managing collections and curating exhibits. Bringing together knowledge and skills from a wealth of disciplines learned over the course of a varied career, Lisa’s own work mirrors the richness of the many histories she strives to share with her community.

It was Lisa’s career as a Silicon Valley tech engineer that first brought her to the Santa Cruz Mountains. After leaving the tech world to spend more time with her family, Lisa embarked on an educational mission to support her burgeoning interest in history and art. Here she demonstrated her knack for curating coherent stories from various content – she developed her own Historic Preservation certificate from classes already being offered at her alma mater. She has applied these interests and skills to her local museum for nearly 15 years, where she began volunteering as a school programs docent. 

When asked about her favorite pieces at the SLV Museum, she struggles to choose just one. There’s a bound copy of a full year of the newspaper, “Community”, written by a high school teacher with the help of his students; the records from a local judge telling some interesting local stories; a splinter of wood from an infamous stagecoach accident; a wooden box built from the wreckage of the burned Felton Community Hall… Diverse pieces that tell many stories in different ways. The diversity of the collection is one thing she wants folks to know about–there are so many ways to connect with the past and to better consider our current times. 

Lisa’s love of history is also demonstrated in her choices for her favorite nature connections: the redwoods of Henry Cowell, the lime kilns, and an old gnarly tree–the Oldest Inhabitant, on Love Creek Road. These places are not only beautiful pieces of nature, they also tell important stories about the area’s rich history. You can’t tell human history without telling natural history, and this is why Lisa is also a supporter of the Santa Cruz Museum of Natural History. She has played a crucial role in our collaborations, and enjoys seeing co-located exhibits at the SLV Museum and the Museum of Natural History. When the same exhibits are shown in each museum, viewing things from the perspective of natural history and cultural history, we have an opportunity to learn something different in each context. 

The role of a museum, according to Lisa, is to tell stories and connect us to history, not as an abstract thing, but as something relevant and important to our contemporary lives. This can be done in many ways, but museums must strive to tell stories from as many perspectives as possible. 

This is an especially exciting challenge when curating an exhibit with community-contributed content like SLV’s upcoming annual holiday collections exhibit. Once the museum receives submissions of objects from local residents, Lisa’s job is to tie them all together in a compelling display that is both relevant and true to their past. In that, she is a shining example and we are proud to have her as part of our Museum community.

Collections December 2019: Fossils and Field Experiences

This December’s Collections Close Up features a familiar face, rather, fossil. We’re highlighting a whale ear bone that lives in our permanent fossil exhibit, currently under wraps for the final month of our Sense of Scale exhibit about earthquakes, Loma Prieta, and seismologist Charles Richter. In doing so we are also able to explore the locale from which this fossil was uncovered through a virtual field experience of the Purisima Formation. 

About the size of an oblong, to the casual observer this specimen might look like a cross between a seashell and a shriveled nut. It is in fact the ear bone of an ancient whale of unknown species. More specifically, it is a tympanic or auditory bulla, a bony capsule enclosing and protecting delicate parts of the middle ear. 

In humans, sound waves are funneled through the fleshy outer ear down the ear canal to the eardrum, where this bony protection is part of the temporal bone of the skull. This system works well in the air, but as anyone who has gone swimming knows, not so well in water. Part of the reason sound comes out garbled is because of the connection of the ear bones – your skull and your eardrums are all vibrating in response to sound waves at the same time, rather than in sequence, making it difficult to pinpoint the garbled sound’s origin. 

For cetaceans, the category of marine mammals that includes dolphins and porpoises, that just couldn’t cut it. These creatures evolved about 50 million years ago from a terrestrial mammal that looked something like a small hippopotamus. When it comes to life in the water, sound is a much more effective sense than light for communication, hunting, and finding your way. They have no external ear openings, and instead of sound waves traveling through an ear canal, they rely on pads of fat in their jaws to amplify vibrations from the water.

For a more in depth discussion of fossil whale ear bones, check out the Virginia Museum of Natural History’s paleontology blog. This article describes just one example of how scientists can learn a ton from this relatively small bone found in large creatures. In addition to shedding light on the ancient ancestors of whales, the study of these bones can illuminate how it came about that toothed whales hear best at high frequency ranges while baleen whales hear best at low frequency ranges, how it may be the case that some whales hear well at both, and more.

Our fossil was found in 1973, embedded in a chunk of Purisima Formation exposed along the Capitola Coast dating between 3 to 7 million years old. In general, museums and paleontologists are careful about how we track and provide access to information on where fossils are found in order to help preserve as much scientific information as possible while also protecting fossil discovery sites for science and the public. At the same time, this caution is balanced with a commitment to educate and share information about these same discoveries. An exciting example of educational outreach featuring the same general area where this ear bone was found is the Eastern Pacific Invertebrate Communities of the Cenozoic partnership’s Virtual Field Experiences initiative.

These virtual field experiences are richly immersive presentations of text, image, and video that serve as online excursions to different classic paleontological sites. So far there are two VFE’s, with more on the way. The first focused on the Kettleman Hills on the western edge of the central valley,  Fortunately for us, the second focuses on two areas on the central coast where the Purisima formation can easily be observed – at Moss Beach in San Mateo County and at Capitola Beach here in Santa Cruz County.

The whole project is a National Science Foundation funded effort involving several institutions, including folks at UC Berkeley and the Paleontological Research Institute, to increase public access to Cenozoic marine invertebrate fossils along the Pacific coast of the Americas. And while that means the focus is more on the fossils of creatures like clams and sea snails than vertebrate specimens like our whale ear bone, the project pages are a rich trove of information on everything from the nature of fossils, to best practices for ethical collecting, to the journey of fossils from field sites to museum collections. 

This last part is particularly exciting for us, as we work on increasing access to our own collections. And while EPICC and their VFE’s are part of an enormous, national, and multi-institutional effort, they still serve as an incredible model of how many different ways digitized collections can reach people. In the meantime, stop by the museum this month to see this ancient ear bone front and center in the Collections Close Up display.

Collections November 2019: Leaving an Impression

Sometimes nature can feel distant. As we move through the obligations and opportunities of everyday life, it can be hard to see the way that the natural world shapes the things we do and see. At other times, we can’t help it. Like when you finally have time to take that walk in the woods, or when you’re awakened by an earthquake, or your hair is tousled by the wind. Or, when someone is using nature to make a point.

One such example is this month’s Collections Close-Up: a newspaper issue printed, not on paper, but on the leaf of a tree picked in the Santa Cruz Mountains one hundred and three years ago this November. 

In 1916 newspapers were embattled by the high cost of paper. This was due in part to supply shortages caused by World War One, which were aggravated by a widespread increase in publication demand. Closer to home, the relatively new publisher of Boulder Creek’s Mountain Echo paper had another problem: his readers weren’t paying their fees.

To drive home the stark realities of the situation, Luther McQuesten printed four issues of his paper on leaves! A contemporary article from the American Printer and Lithographer ties McQuesten’s strategy to the changing of the seasons: “The advent of fall gave him an idea, and he gathered a bale of golden cottonwood leaves, which are broad and smooth and the Mountain Echo began echoing on Nature’s own papyrus.” 

Although now faded from gold to brown, this November 18th, 1916 issue still carries the news of the day. An editorial extols the virtues of Boulder Creek’s beautiful trees and babbling brooks, local families have visitors, a Winchester rifle is for sale, and D.E. French is visiting again to enjoy the scenery and collect specimens of native woods.  

The leaves proved sturdy, and our collection is not the only one that stewards one of these remarkable issues. The Boulder Creek Branch of the Santa Cruz Public Libraries has some copies on display, and the San Lorenzo Valley Museum has some in their collection as well. In fact, the San Lorenzo Valley Museum houses the original copies of the Boulder Creek Mountain Echo newspaper, both those made with “nature’s own papyrus” as well as plain old wood pulp. 

We reached out to SLV Museum Board President, Lisa Robinson, to learn more about this unique object. Lisa is a wealth of knowledge, especially when it comes to the Santa Cruz Mountains. She has also authored the “Redwood Logging and Conservation in the Santa Cruz Mountains: A Split History,” among other things.

Lest you think this leaf printing was a tired gimmick, Lisa told us that in all her years of working in museums and historical collections, she hasn’t encountered anything like this object. She highlights the technical feat of being able to print legibly on both sides of the fragile leaf. McQuesten was fully committed to people actually being able to read these nature notes – an attitude underscored by the fact that the newspaper subsequently reprinted the content of each issue on regular paper. While we don’t know exactly which of the newspapers’ presses was used for this printing, one of them still exists and is now at San Francisco’s Book Club of California.

Newspaper office for The Mountain Echo in Boulder Creek, CA
The Mountain Echo offices, Boulder Creek, CA

In this image from the SLV Museum’s collections you can see the Mountain Echo office at the corner of Highway 9 and Forest St, in downtown Boulder Creek. Less than a block away from the location of the former office stands a handful of cottonwood trees (Populus fremontii). 

In 1917, an article from the Santa Cruz Evening News described the printed leaves as having brought McQuesten a “vast amount of desirable publicity” from all over the United States. Despite this notoriety, McQuestion’s stunt didn’t appear to have its desired effect: the Mountain Echo ceased publication shortly afterwards. And while the Mountain Echo is no longer covering local news nor nagging delinquent subscribers, this page of “nature’s papyrus” persists. It will be on display all this month in the Museum’s Collections Close Up, highlighting the contrast between nature we think of as natural, and the items from nature we use everyday.

If you want to explore more on related topics, stop in the Museum Gift Shop to find Lisa’s book about conservation in the Santa Cruz Mountains, and on November 23, join us for a seminar on American Indian Art, made from nature’s resources.